Wednesday, May 6, 2015

Guillaume Dufay: 'Flos Florum' - Motets, Hymns, Antiphons - Ensemble Musica Nova - Zig Zag Territoires, 2005

This gorgeous recording has been particularly therapeutic lately, as it's an extremely difficult time for me. Dufay's creations have that certain magical quality, and catharsis and enrichment are the natural 

Guillaume Dufay represented the absolute pinnacle of medieval/early rennasiance music. Dufay, like Bach, consolidated and perfected the music of his time. As the central figure of the Burgundian School, Dufay was the most famous and influential composer in Europe in the mid-15th century. He was the last great exponent of the isorhythmic style, and his large-scale festival motets such as "Nuper rosarum flores" (in 4 parts) are among the most spectacular creations of the period. He was born at the end of the fourteenth century, the unacknowledged son of a priest. His mother Marie du Fayt settled him in the Burgundian cathedral town of Cambrai in northern France and he trained as a chorister at Cambrai Cathedral. Dufay later appears to have entered the service of the Malatesta family in Pesaro. After a brief return to Cambrai, he was back in Italy-in Bologna and Rome. During this period Dufay also began his long association with the Este family in Ferrara, some of the most important musical patrons of the Renaissance, with whom he had probably become acquainted during the days of his association with the Malatesta family; Rimini and Ferrara are not only geographically close but the two families were related by marriage, and Dufay composed at least one ballade for Niccolò III, Marquis of Ferrara. He spent his later years back at Cambrai, where he was visited, such was his fame-by such musicians as Binchois, Tinctoris and Ockeghem. 

Dufay wrote in most of the common forms of the day, including Masses, motets, Magnificats and hymns. None of his surviving music is specifically instrumental, although instruments were certainly used for some of his secular music, especially for the lower parts; all of his sacred music is vocal. By the time he died in Cambrai, he had influenced the major composers who shaped renaissance music, such as Binchois, Josquin des Prez, and Josquin's teacher, Ockeghem, among others. 

Enjoy this glorious music.


Joan Tallada said...

I am sorry to hear that you are going through difficult times, dear Tzadik. Please, accept all the best wishes that I am sending with this message. Joan

Tzadik said...

Hello Joan, I really appreciate your kind words. Thank you very much friend. It's a weekend day like today that certainly helps, I'm happily staying home and doing nothing but enjoying music :)



Anonymous said...

Hi this is very beautiful love your blog thanks from NL

Anonymous said...

Hope the difficult time are just a (faint) memory now.
Thank you very much for this gem!